Origami Microchap
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Selected Poem(s)
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STILL I RISE
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Click title to open microchap
Cover design by JanK
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The Width of a Room
In this narrow house a slight grip, a gentle hold
& the trembling of glass— circles of sadness
to shine, to hide, to cross from the only window.
Failure comes crashing within reach
of future mistakes, & even darkness has arms.
Kitsungi this bowl can still be repaired even if it seems broken
irredeemably, even if its pieces
have been trodden underfoot, further ground down
in an effort to recover the fragments,
the edges jigsawed together to align again—
to simply embrace the cracks that remain,
filling them with something like hope.
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Still I Rise
The clouds are like nothing else— bold explosions & everywhere. They’re long & colossal. Beauty is breathing above me.
I am beauty with two feet, a name, experiences, life in stretches, place distilled. The beauty is glowing
as ingot, steel & glass, a ceiling blazing gold—everything I can feel. I center myself against the earth,
let balance find it way to me, my strength rising from the caverns of my ribs, my body awake,
emerging, celebrating the way I rise from my tiny darkness its soaring telling stories of light in shadows.
Fill My Empty Bones
I was not born a lion, but there is fighting in the shadows
& strength follows. Beneath that rock, my giant roots
provide depth & stability. I was not born an eagle,
but there is strength inside smaller wings
climbing out of the dark, pressing upward & outward—
piercing the firmament to perch on the hand of God.
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Ariana D. Den Bleyker © 2023
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The Closet that Holds My Skeleton Opened the Door Today & I Feel Everything |
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Click title to open microchap
Cover: Secret Art by Lauri Burke
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i.
Bones are hard to give up, pushing out as daisies growing under the hounding heart of a copper sun.
Bones, unbroken, lack edges. Jagged edges reflect brokenness; the brokenness the whole.
Listen to their call:
the smell of sad, odor colorless, musty invasive, well closeted, saddling, saddling in place, good wishes/good intentions/good prayers.
dig down deep, six feet, perhaps more, with heavy equipment, uproot, follow sad all-the-way down until the root is gone & the saddest truth dead.
Ii.
Taste shocks/surprises/delights/lives for those whose buds never blossomed for it.
iii.
Truth, we are told, is often served cold & hard for the hearing, best avoided in a mirror; though many lie too easily, mirrors cannot. The truth to be trusted is this: no one is truly content— there is always those who have more, more burdens of a different sort, better losses & pains.
Truth tastes terrible, hides well.
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iv.
Our hands are right sized, arms reaching around ourselves, pleasure ours to give; ours to take, neither better or worse.
Touch is language.
v.
Sight is overrated when imagination exists, cannot be restrained, the unseen telling us to look up, look up— be life, save life.
Let your madness blossom in the spring air, become a mathematical function of the other four senses.
vi.
Read your face in the mirror, its incapability of being too human, quiet, stolen brightness oh, it doesn’t belong to me but this form is your black ceiling. I’m just trying to be seen & I see you— I see you.
& you don’t know how much is too much & you don’t know when you’ll be enough & you’re stuck cutting those senses to bring them back— back to largeness, back to circular— the insecure phases of the moon,
& the sun does smirk in the morning blue.
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Ariana D Den Bleyker © 2021
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A Bridge of You |
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Click title to download PDF microchap
Cover collage by Jan Keough
Author’s Note: ‘A Bridge of You,...’ originally published in Rust + Moth
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The Night My Future Husband Stole My First Kiss
That I’d forgotten something— (don’t think, just kiss me, just once) That I was oddly humbled— a mute scream tearing from my chest, ripped from my lungs, battering against the wet, smooth yet sticky feeling of lips jailing my words—swift, brutal, unexpected. Oh, how memorably awkward it was yet how perfectly smooth it came to be.
I Watch My Husband Work on My Jeep & Am Reminded of His Selfless Protection
The slick, almost glowing ratchet turns & clicks in his hands—a slow sea of grime releases—grime, the spare part in every repair—the secret formula of vehicles (one-part leaked engine oil, one-part road dust or tossed-up dirt & pebbles kneaded for miles upon thousands of miles behind broken struts, universal joints.)
He’s peeled & scraped, welded, torqued, tensioned & threaded, a surrealistic painting of discipline keeping vital wires from coming loose or some small, but oh, so indispensable part from its desire to squeak over the horizon at eighty miles per hour.
The First Time I Wrapped My Hands Around My Husband’s Waist for 100 Miles
I think of him ahead of me on an edge of time too close to not forget the feeling of my arms around his waist, the motorcycle’s engine vibrating through us both & it’s not so important where we are or where we may go because the hot, orange sky spoke above the yellow daisies & wind, his breathing. We’re one & I glimpse his smile in the mirror; I squeeze tighter to let him know I can see it.
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A Bridge of You, to Myself, to the Parts of the Bees’ Bodies Embedded in Our Flesh
The tension spanning your tongue carries the words escaping your mouth, pain igniting its tip, blistering your lips with white heat, your longing, melting skin off like dead bees pouring from a smoking hive. I listen intently for the first time ever, exposing myself to the silence simmering in the spaces between your teeth—
the bare skin of our arms pelted with little velvet bodies, our pores soaking in wild honey, sharp edges of wings embedded inside. No stings.
Whatever it means, why not say it hurts— the pain slamming into us, the want? I will call it beauty, kiss your raw lips unlike I have ever kissed you before.
I Watch My Husband Play Hockey & Am Reminded of His Ability to Withstand My Winters
I.
Ice sprays under his skates, his body gliding against the cold biting against the late evening of early winter, breath escaping in bursts of white fog rising & dissipating, lungs & legs pumping hard, knees slightly bent, getting fired up for the win knowing even the best man sometimes takes a loss.
II.
The evening is brittle, everything moves very slowly or not at all, but eventually the sun will rise, — the ice will melt birds will sing. Though the landscape may be torn branches, snapped — forever altered the trees remain stronger — & hanging having seen ice like this before.
The Catfish My Husband Reels in in August is More Than Just Fishing
I.
I imagine versions of cutthroat catfish, of whiskers fighting the strong tepid water to death, dreaming meaningless round & oblong dreams swirling in pools & backwaters of silken black, careening emptiness until the channel sweeps me down into the lake or until I struggle upward, always higher to the spillway at the base of the dam.
II.
Such is the careful parsing by the mouth — of fine white bones from equally white flesh his heart both tongue & teeth discerning landing constellations — spur through a heaven stretching into the future. Listen to the splash, displaced weight into the water. Set the pole down & whisper who we are.
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Ariana D. Den Bleyker 2019
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Unsent
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Cover: Photo of Sergio Bustamante ‘Face in Hands‘ Sculpture
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To the Boy Who Stole My First Kiss
It’s an old story, you and I, hip to hip, gathering wreckage in that kiss, me not washing for days after wanting the scent of both our bodies to sink in somehow. I’ve so much to learn about the sharp divide between before and after, from biting into a fruit-bearing heart, knowing the past sometimes runs sweet and the future even sweeter.
To the Boy That Raped Me
Let me bruise again: think about the ripe fruit in your palm eaten. I could pretend I don’t remember. I could pretend and not be sorry for wanting to be dislocated, to be taken apart and put back together again. I’ll just keep think -ing of you like this, like my throat won’t swell from the stings.
To the Boy That Broke My Heart
It’s easy to imagine looking one way through your eyes, then looking out. You’ll smile to see me, mouth open, a breath sounding itself; my voice will shake out its dread, a muffled crack, and not much more.
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To the Boy That Ran Away
Last night I woke to that same dream, the one full of people that aren’t you. The fear came back when I rose from the soaked cloth of sleep after digging down to the bone. I’ll love, if I can, with knowing our moments are gone. How I wish you could be present, and pretend for a moment, you miss me too.
To the Boy That Took My Breath Away
Because a prayer is never enough to hold a woman. Because the body must here — house the heart and held in this moment, love, old tree feeding itself in the deep. Say you’ll never let go. Before my bones quiet, before it’s much too late to believe your heart could ever stop
To the Boy I Pushed Away
Knowing portends what I’ll take from this, whether I’ll walk or crawl, the breadth of my breath, its given, how, listening, I might step into your mouth, proceed into your heart, and, breathless, creep through your bones, as if something could be done to keep us together, as if I could hold onto my wanting someone, my wanting you.
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Ariana D. Den Bleyker © 2015
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Stitches
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Cover from www.etsy.com
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In Mommy’s Shoes
I used to love playing dress up as a little girl. I saw my mother’s closet as a magical dimension, a place filled with beautiful clothes. On me, her blouses became summer dresses, dresses ball gowns, silk scarves belts, and high heels catapults into the future. I spent countless hours staring at myself in the mirror, secretly wishing I was something beautiful heart could wear.
Mona Lisa’s Smile
Can I paint what’s on my mind, creating my own masterpiece straight from the heart? I’ve loads of filled tubes, brushes, a canvas large enough to achieve your smile. I mix shades, sweep brushstrokes with little confidence, rely on smudges, charcoal sketches, the imperfection of a little girl’s memory too vague to know what’s real.
Baking
The kitchen is draped in silence. The walls bleed for us. We bake, my mother and I, watch the cookies rise up like warm, soft bellies. The room is hot and the oven buzzes with a thousand stings.
My mother, she turns to me: I do not understand her expression. My silence captures the smell of the past. I am hungry again.
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Emerging From Broken
Sometimes in the night I count the embraces that never come. I call them perfect. Even while they shatter like anything else’s bones.
Carried by the Wind
I was only wanting to rise full-bodied like a heavy wet bird against the grey, my mother gesturing, — suede sky outstretched calloused hands, moist starry eyes. No words. I want to recover the legs of her lies, drape them over my arms as a life preserver, float across the wind for miles, ignoring the drowning.
Stitches
I watch mother’s hands— watch the shifting of thin fabrics, the needle captured between two callused fingers, as she pulls the fragile stitches tighter. I study scars—wonder what she sees when she looks at my hands. She smiles, so I smile back. I’m not supposed to talk, to ask. I’m to see only the deftness of a needle and the bright patterns of cloth, the hidden stitches— the way she laces us gently together with her lies.
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Ariana D. Den Bleyker © 2014
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On Coming of Age
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Click title to download microchap
Cover: The web
I asked, “Why have I received only this. A voice replied, “only ‘this’ will lead you
to that.” ~ Rumi
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On Coming of Age
I stood on the front porch, palms extended to catch the drops. I ran down the steps, splashed onto the street, caught more drops in my mouth, my thin, floral sundress clinging to my body, heavy braids weighing down on my shoulders in the hot August dampness—before I was old enough to shave my legs, wear a bra, apply heavy black eyeliner, before I knew how morning sex could smell like a raging storm.
On Sex
Sometimes, when it rains in my dreams, you come to me in your mother’s dress. We dance together. You grin like a woman who knows who she is. I taste the dampness of your lips, and your beauty evaporates into things darker than the spaces between stars. This is how our love burns, bodies aching, lips throbbing, rusty joints twisting, squealing, bare flesh soaked in kerosene, primal instincts rising from the mattress.
On Shaving
The last time we were alone together, you nicked a vein, on purpose, I think, on your face while shaving. I might have touched it. You held the wound apart. You didn’t want A rare masterpiece. Wet. Slick. healing. You must remember the last time I watched you bleed helpless in the face of your loss, how I thought a superhero Band-aid would have been enough.
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On Bridges I’ve Dreamed of Jumping From
Like crows they rise in a violence against the sky, a dark constellation, until they were flying, turning, turning into the sun, losing themselves in distance, weaving into a black scarf until they unraveled westward, taking with them what I’d once dreamed for myself, all I believed and now cannot name.
On Reading Thoreau, Again
There is loss in everything. Winter gives me new shape, both of us raw against existence, both of us bare. We’re invisible or invincible, closer to our ends than beginnings. I find myself kneeling to better examine small things, find solace within myself, marvel at how steel breaks stone, bone.
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Ariana D. Den Bleyker © 2014
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