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When I receive an email from a friend who has been gone (by which I mean dead) for more than a year, I know spam, but I want to open it, to ask: What's the landscape where you are now? Are your clouds cumulous like in Renaissance paintings, or flat and Persian, or as thin as early morning LA smog?
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In this room hold time
Even now, with my mother forgetting most of what she knew, I expect her to be there, in that apartment she chose after so many different houses, I think, I'll call tomorrow, even though be real, which tomorrow will she be in? She holds the forms of conversation in her stripped-down room, however frequent the repeat button. Don't forget to water the plants, to turn off the stove. Remember me.
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On grief in spring
In spring, you forget the golden season of dried grasses is on its way, your eyes distracted by the varieties of green. Then, and now, seabirds poke in the mud at the estuary's edge. An egret, Urban-adapted, stands back, long legs carrying that egg-shaped body. Wind blows through the cypress, and you miss all the ones that have been trimmed away.
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About that call
I could tell you I deleted that email, the way I woke from the dreams where my grandmother phoned with a recipe, or directions to the cemetery. I never did delete my friend's last messages on my old phone, but then that phone was stolen. The new one has a message from my mother, hanging on.
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Carol Dorf © 2020
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