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Michael Dylan Welch

Michael Dylan Welch    Michael Dylan Welch specializes in haiku and related poetry, which he has been investigating since 1976, but also writes longer poetry, essays, reviews, and fiction. He served for two years as poet laureate for Redmond, Washington, where he is also president of the Redmond Association of Spokenword and monthly curator, since 2006, of SoulFood Poetry Night. Michael cofounded the Haiku North America conference in 1991, the American Haiku Archives in 1996, and the Seabeck Haiku Getaway in 2008. He is also the founder (in 2000) and president of the Tanka Society of America and founder of National Haiku Writing Month (www.nahaiwrimo.com, 2010).
 

Michael has won first prize in numerous poetry contests and his work has been translated into at least twenty languages. His haiku have been been recited for the Empress of Japan and at the Baseball Hall of Fame, chiseled into stone in New Zealand, and printed on balloons. One of his translations from the Japanese appeared on the back of 150,000,000 U.S. postage stamps in 2012. He was also keynote speaker for the Haiku International Association conference in Tokyo in 2013. His recent books include Jumble Box: Haiku and Senryu from National Haiku Writing Month (2017), Seven Suns / Seven Moons (with Tanya McDonald, 2016), Off the Beaten Track: A Year in Haiku (2016), Fire in the Treetops: Celebrating Twenty-Five Years of Haiku North America (2015), and Becoming a Haiku Poet (2015). Michael maintains a hyperactive website, devoted mostly to haiku, at www.graceguts.com.

 
 
 

 ►  Michael Dylan Welch's microchap & poems are available below. Download the single-page PDF by clicking the title & saving to your pc. Set your printer for 'landscape' printing. Folding instructions are under the Who We Are menu tab.

 

Origami Microchap

Star Wheel

 

Click title to download PDF microchap

 

Michael Dylan Welch CVR Star Wheel 2020R Jun 

Cover: Primrose Path Doily

 

Each haiku in this sequence was
inspired by the name of a crochet pattern.
With gratitude to
Alice Frampton and Patricia Emel.

°°°

 

flower show—
a crocheted doily
under each pot

late-morning quiet—
a dusting of pollen
on the wedding table

bridal reception—
the queen anne’s lace
still unarranged

flowered latticework—
the plein air painting
lacks the arachnids

long-weekend getaway—
the star-wheel embroidery
still unfinished

clearing skies—
I look up “marquesa”
in my computer dictionary

the harpist’s sigh . . .
bridesmaid’s bouquet
askew on the head table

hands up!
the bride’s bouquet
in mid air

pulling daisy petals . . .
the country church bell
down for repairs

Texas diner—
the tip jar
filled with pesos

pomp and circumstance
the giggling kindergartner
trips on her robe

heavy garbage can—
sweet clover
from here to the lane

prairie flower—
your sketch
of just its fallen petal

*

 

 

 

aching thumb—
bumblebee
yellows the swatter

arching Frisbee—
a leafy bower
hides the garden doorway

the “Old Louisiana” crochet pattern
she tells me is hers . . .
intermittent rain

my cavalier remark
asking what she’s done all day—
steaming lasagna

waving here and there
over our Birkenstocks,
starflowers

newly painted trellis—
the agent arrives
to lift out the Sold sign

comatose teenager . . .
“Happy New Year”
whispered in her ear

gentle lawn sprinkler—
the fancy-free first grader
twirls in the garden

Arabian night—
sand ticking
the Moorish window

impossible
to write about—
governor’s lady

farmhouse wedding—
nosegays reflecting
in the mantel mirror

honeymoon suite—
crinoline and velvet
fall to the floor

snowflake fantasy—
the unfinished puzzle pieces
swept off the table edge

May flowers—
a change-of-address sticker
on redirected mail

April morning—
the last page
shuts by itself

Michael Dylan Welch © 2020