March 2025
On the reading horizon...
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pink moon
surrounded
by inspiration
luna rosa
circondata
dall'ispirazione
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strawberry moon . . .
red with embarrassment
luna delle fragole . . .
rossa per l'imbarazzo
Barbara Anna Gaiardoni & Andrea Vanacore alias gaia & vana are finalists of the Edinburgh “Writings Leith” contest. Barbara earned her spot on the Haiku Euro Top 100 list for 2023 and on The Mainichi’s Haiku in English Best 2023. Her Japanese-style poems has published in 145 international journals. - Andrea's video and photographic works encompass his performative approach toward reality that he puts in dialogue through his investigation. His long professional experience was able to give concrete form to his passion, in the name of a kaleidoscopic and versatile art without predetermined boundaries. They are life partners in Verona City (Italy).
http://barbaragaiardoni.altervista.org/blog/haikuco-2/ https://andreavanacore.it/
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Cover design by JanK
The Memorial/Ink
She’s taken it up another notch—
mixed her boyfriend’s ashes
with ink and has his portrait
tattooed over her left breast.
Also, a special mix, their beloved
dog, nuzzles her right wrist.
I’m not sure I want to know
the process, or the technique.
Is this a trend? I think of the box
of ashes in my coat closet.
Mother, I don’t think you’d
be honored if I did this with you.
Pediatrician Kelley White has worked in inner city Philadelphia and rural New Hampshire. Her poems have appeared in Exquisite Corpse, Rattle and JAMA. Her most recent collection is NO. HOPE STREET (Kelsay Books). She received a 2008 Pennsylvania Council on the Arts grant.
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Cover designed by author
Poems have previous appeared in:
Cold Moon, Haiku Dialogue, Ice Floe Press, Piker Press, Unlikely Stories
tin frog
only one hereabouts
surface unbroken
*
seaweed on the turtle
figurehead washes up
*
heron
swallows small fish
whole
Jerome Berglund has published many haiku, haiga and haibun, most recently in bottle rockets, Frogpond, and Modern Haiku. His full-length collections Bathtub Poems, Funny Pages, and Eleusinian Solution were recently released by Setu, Meat For Tea, and Motus Audax press. Microchapbooks of his work can be downloaded from the Origami Poems Project and a mixed media eBook showcasing his fine art photography is available now from Fevers of the Mind.
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Cover by JanK
Ouroboros
The Japanese say
the face that you fell in love with
In your last life
Is now your face.
when you look in the mirror
The face of your beloved from another life
Peers back at you
is this why we admire ourselves in mirrors?
Ourselves, or the other who loved us?
Expectant and exultant
The love of a mirror
For a mirror
The faces loved, converge on one face
Ouroboros. The snake eats itself
And completes the circle to infinity
The mirror holds it up
A reflection of a reflection
our eyes are mirrors
In the quest for truth
Of love
And other ordinary things
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Ayn Frances dela Cruz is an ESL teacher in Uzbekistan. She recently graduated with a Masters in International Art and Culture Management from Rome Business School where her startup Paper Monster Press was longlisted for the #RBS4 Entrepreneurship Prize. A fellow of the 7th UST National Writers Workshop and the Montaggio Writers Workshop, her work has been published in local Philippine and international magazines and anthologies and her micro-chapbook, Tumbleweed, was published by Tiny Press.
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February 2025
Cover art by Kat Benner
Happy Creatures
The odds are against
any given robin
surviving another year,
a house finch
keeping a secret,
a human being
anything but one
of earth’s happy creatures
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Eric Hadley is a poet when he feels like it, and the rest of the time too.
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Cover photo from web
Drifting
Empty rowboat, inside oars relax… old woman’s hands folded in her lap; ripples slosh wooden planks… dreams massage her brain into slumber, and both drift off on their own.
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Diane Webster's work has appeared in Old Red Kimono, North Dakota Quarterly, New English Review, Studio One and other literary magazines. She had micro-chaps published by Origami Poetry Press in 2022, 2023 and 2024. Diane has been nominated for Best of the Net and a Pushcart. She was a featured writer in Macrame Literary Journal and WestWard Quarterly. Her website is: www.dianewebster.com
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Cover from web
To Wed
1.
I sit in the back of the station wagon, in a nonstationary position-- arms twisted like pretzels, ankles crossed in geometrical nuances a few degrees south of traditional trances.
I’d run, but I’m nothing more than an ant in an overpriced pantsuit.
The trees are formidable and the gas in the engine is too busy
for questions.
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Jen Schneider is a community college educator who lives, works, and writes in small spaces in and around Philadelphia.
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Cover photo from author
January rain— a pebble shaken from my shoe
February rain— a hooker at the corner takes off her ring
March rain— my teenage daughter tries on new glasses
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Michael Dylan Welch © 2025
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Michael Dylan Welch runs National Haiku Writing Month and the Seabeck Haiku Getaway. He cofounded the Haiku North America conference, and served two terms as poet laureate of Redmond, Washington. He has published his haiku, tanka, and longer poems, as well as reviews and essays, in hundreds of journals and anthologies in at least 22 languages. His website is www.graceguts.com.
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January 2025
Cover: 'Fractal Wind Cat' by JanK
Street cafe sitting thin orange cat strolling by Üsküdar morning
Bohemian rap Praha hlavní nádraží curious laughter
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Andreas Wangensteen © 2025
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Andreas Wangensteen is a writer based in Oslo. He has previously had poems in Splittet Kjerne, The Cannon’s Mouth and other publications.
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Cover: ‘Lake George’ John Bunyan Bristol
Courtesy National Gallery of Art, Washington

5.
I name myself unmoored, not just a boat that’s slipped the dock, but grounded in drought-lake mudflat. Even if water rushed, how could I be anything but sunk, habitat for skittish fish, hazard on which to catch a lure and snap a line. Love, this morning, I can’t tell who is the boat, the dock, the flat, Who is casting the bait, but I see the clove hitch slipped, lost. I’m not sure where I am.
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Jennifer Browne © 2025
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Jennifer Browne falls in love easily with other people’s dogs. She is the author of 'American Crow' (Beltway Editions, 2024) and the poetry chapbooks 'whisper song' (tiny wren publishing, 2023) and 'The Salt of the Geologic World' (Bottlecap Press, 2023). Her work has recently appeared in Poets for Science, Humana Obscura, Trailer Park Quarterly, and One Sentence Poems. She lives in Frostburg, Maryland.
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Cover: Bobtail pup from internet
G
reeting Rituals
I got scared the first time I found a bloody tooth on the floor, then a crimson scratch stretched down your neck. I didn't sleep for two days when you got all those stitches but I also learned you like umbrellas and blueberries.
I've probably taken many wrong steps and sometimes I try to run faster than you only to find you already waiting for me by the fence.
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Evgeniya Dineva © 2025
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Evgeniya Dineva is a poet from Bulgaria. Her works appear in Oxford Poetry Library, The Hong Kong Review, Ethel, Asian Cha and others. Her debut poetry collection Animals Have No Fathers came out in November 2023. Evgeniya is a fellow of the Elizabeth Kostova Foundation for Creative Writing.
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♦
DID YOU KNOW?
Our TENTH YEAR 2009-2019 sharing free poetry!
Read this Newsletter - Microchaps by:
Austin Davis, Dmitry Blizniuk, Glenn Ingersoll, Jane Beal, Lauri Burke, Lynne S. Viti, Mary C. Rowin, Matthew James Friday, Nikhil Parehk and Tom Pescartore
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· • ·
Previous Newsletter:
Catherine Zickgraf, Charlene Neely, Editor Kitty, Jane Beal, Joyce Brinkman, Martin Willitts, Jr., Neil Kennedy, Rosalind Brenner, Sanjida Yasmin & Scott Hughes
· • ·
_____________________________________________________________
♦ Recent Origami Microchaps Published ♦
On Deck*
Martin Willitts Jr, Emma Wang, Cheryl Caesar, Felix Purat, Robert Epstein, Julia Klatt Singer, Marsh Muirhead, Andrena Zawinski, Karla Linn Merrifield & others
* In whatever order we manage to present them... Please be patient, we are leisurely readers.
(Submissions close mid-July thru August - Re-opens September...)
-
Now that it is September - Submissions are Open!
Next Newsletter: Fall/Early Winter 2019 Sign up here
* * *
Coming (sometime) Soon...
Fall Submissions are being drafted
The Flower is the Myth Haiku Mysteries - Robert Epstein
100 Words - Julia Klatt Singer
♦ ♦ ♦
September 2019
Six 100-word Prose Poems... all in one microchap!
100 Words - Julia Klatt Singer
♦ ♦ ♦
End of August 2019
First microchap collection after our summer hiatus...

A Woman of Letters Some day what I want to be is a woman of letters, to retire to my study and be solitary. I can see it all: that desk - neat, rectangular, coffee brown, its drawers seductive and deep, holding secrets from another age, on it some paper, a pen and an ink well, and a bookcase filled with every kind of book - Austen definitely and Dickinson and Chugthtai... No adolescent daughters abandoning dresses in contemptuous heaps. No grubby sons, their dirty socks like bombs under my books, No spouses, no mothers, nor mothers-in-law with their urgent thoughts. Sometimes all I want to be is a woman of letters. Between chores, the very idea makes me weep.
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K. Srilata © 2019
Poems in this microchap are part of a larger collection,
"The Unmistakable Presence of Absent Humans" published by Poetrywala, Mumbai
Cover art by Roshni Vyam, is by her kind permission.
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A Poem in My Mother Tongue When I moved out, I left behind an aquarium, in it a fish, mad and solitary, swimming, the entire line of a poem in my mother tongue, a poem I am still fishing for, miles away and out in the stinging rain. |
K. Srilata, poet, fiction writer, academic and occasional translator, is also Professor (English) at IIT Madras, India. Her debut novel "Table for Four", longlisted for the Man Asian literary prize is published by Penguin India.
Her most recent collection of poetry, "The Unmistakable Presence of Absent Humans," is published by Poetwala, Mumbai. "Asleep Under My Tongue," her third Origami Poems microchap, includes selections from the 2019 collection.
The microchap's cover art is by kind permission of the artist, Roshni Vyam.
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♦ ♦ ♦
July 2019
Final micro before summer break!

Dust
If we are just dust hovering in the light lit up by a splutter of energy, enough to claw some crude shapes, form dreams of better shapes, making better dreams; making every art, achievement, agony: agonising over instances of what was, is, will be long after the dust has settled, sloughed. Then what precious dust we are, how carefully we must hold each other, never spilling a grain.
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Together
Elderly couple waddling down the evening street. Holding each other close: his white stick tapping, her eyes half opened, flickering. No leader, just together.
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DNA Destiny
I reach out in bed, press fingers into your shoulder, my thin glove of flesh and bones becoming fused with the felt of your existence, feeling that skeletal future but asking that the magic of carbon atoms amassed from the decay of some other organic miracle, a DNA destiny shaped by flint, fire, endless immigration through eons of evolution to end up as me in a bed with you asleep, unaware; asking the magic to stay forever, defy the deafening darkness.
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Trickster Time
We are a few moments of time loaned by the Great Trickster from the Big Bang bag for us to use, abuse, amuse Him or Her as best we can.
An almost invisible thread in the tapestry of billions of years. We unravel through countless errors, regrets, greying hair, fated to the same ending.
Delay just an illusion, a gift. We are all children tiptoeing downstairs on Christmas day to find the Great Trickster welcoming us back to nothing.
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Matthew James Friday © 2019
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Matthew James Friday has had over 60 poems published in many UK and worldwide magazines and journals, including, recently:
The Brasilia Review (Brazil), Drawntreader (UK), New Contrast (South Africa), Sheila Na-Gig (USA) and
Poetry Salzburg (Austria). His fourth microchap,
23.5 Degrees, refers to the tilt of the Earth's access: a tilt borne of violence but also luck as this leaning, this imperfection gives us our seasons and all the gifts and challenges that come with us. The selected poems capture some of that grand vision while also grounding it in the small stories of our lives. Read more:
http://matthewfriday.weebly.com/
·•·
Photo by author taken at
Rancho Santa Ana Botanical Gardens
for Michelle Lynn Smoler
teacher, yogi, neighbor, sister, friend
entering the garden
water trickles down the hollow of an old stone a bird stoops to drink ·
turtle pond
a turtle hatchling is all alone on her stone but the sun is warm two turtles sunbathe on a stone in the dark pond watching me watch them an older turtle circles in the pond water looking for a stone ·
duck pond
the hen is asleep but the drake is holding his morning yoga pose humble waterfall pouring down into the pond going deeper still afternoon sunlight a green leaf in deep water reaches for the sky
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origami in the garden
white origami cast in metal and shining birds and butterflies
a paper airplane! then the white peace crane unfolds to become a star
shining buffalo with a small bird on his back looking out at us
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leaving the garden
the old mother-tree and her branching canopy stays in memory
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Jane Beal © 2019
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(inspired by Robert Lang & Kevin Box artwork - Rancho Santa Ana Botanical Gardens exhibit, Claremont, CA * April 2019)
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Jane Beal, Ph.D., poet, has written many poetry collections, including a book of haiku and haiga, Tidepools (2009), and a book of haibun, Wild Birdsong (2011). Her haiku also appear in the
Asahi Haikuist, Frogpond, Haibun Today, Haiku Journal, and
Illinois Audubon Society Magazine, among others. She teaches at the University of La Verne in southern California. See
http://sanctuarypoet.net
·•·
Introducing...
Cover art by Lauri Burke

From Good Morning Sunshine
Good Morning Sunshine; thank you for filtering stringently through my dingily dilapidate window; embedding optimistic rays of hope in my life,
Good Morning Cuckoo; thank you for waking up my gloomy sleep with your poignantly austere sounds,
Good Morning Grass; thank you for rejuvenating my dreary soles; as I trespassed on your voluptuous carpet; with your magnificent sheath of dew drops tickling my skin to unprecedented limits,
Good Morning delectable pet; thank you for clambering up my bed; awakening me with a pleasant jolt; as you flapped your slippery tongue over my rubicund cheeks,
Good Morning Shirt; thank you for imparting me with compassionate warmth; as I swung you over my naked chest the instant I broke my reverie,
Good Morning Wife; thank you for providing me your mesmerizing shoulders to rest upon in times of the treacherous night,
Good Morning Ducks; thank you for quacking so boisterously; that I became oblivious to all the loneliness and wretched depression that heavily circumvented my life,
Good Morning Air; thank you for so celestially wafting into my nostrils; seductively caressing my mass of unruly hair; to transit me higher than the heavens,
Good Morning Lotus; thank you for spreading your ingratiatingly pink petals into full bloom; inundating my solitary life with astronomical happiness,
Good Morning Tea; thank you for profoundly reinvigorating my diminishing breath; fomenting me to walk briskly forward with untamed exhilaration,
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Nikhil Parekh © 2019
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Nikhil Parekh is a poet and author from Ahmedabad, India. He is a 10-time National Record holder for his poetry with the Limca Book of Records India; which is India’s Best Book of Records, Ranked 2nd in the World officially to Guinness Book of World Records. Read more:
https://nikhilparekh.net/
·•·
Please Welcome...
There's Nothing Black - Dmitry Blizniuk
Cover collage: Loaf of Bread, Lilacs & Thee by JanKeough

There’s Nothing Black
You and I are out in the sunny, snow-covered park. Our steps crackle like freshly-baked bread. The silver sturgeon spawns everywhere: the caviar of ice rings on the black glazed branches, and we, in no hurry, walk on and on... Our hands sleep in the pockets of our coats like field voles. The fog of our breath is dense and sluggish; it drags behind like a three-toed sloth. It freezes in the prickly air, and on the foggy glass of our steaming breath, I draw two graceless hearts with my finger and sign our moments like photos, on the back (the date, the name, the smile). And the soul flies out like a genie released from an amphora, or from a flask. But there’s nobody around, and my soul is its own master, its own Marcel Proust. Our shadows play snowballs, snort like Labrador retrievers. There’s still hope, and the street lamps come on childishly early, with the shaggy magic of overgrown dandelions. The snow – blue-green, marbled, granular – comes to life, like everything touched by the quill of a creator does. And I dip my quill, made from an arrow, into the inkwell of my heart, where there’s nothing black any longer.
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Dmitry Blizniuk © 2019
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You are a cat,
and all your nine lives are wasted on trifles, on washing and cooking and tidying up, on war painting your face and body, on taking cat naps beside the cradle. I have so little of you left to hold – shall I pour you some moon milk? I’m reading you like teenage adventures of Sherlock, like crib notes written on a girl’s knees. All that is left of you is La Peau de chagrin that gets smaller and thinner with years, but I never give up wishing, longing. A small feather sticks out of the pillow like a skiing track on a mountain slope; the caramel moon shines through the window, and I’m looking at you through the years as if through a heavy snowfall: you’re smiling, and your lips look yogurt-stained in the flurry of the falling snowflakes.
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Dmitry Blizniuk © 2019
Previously Published: Sheila-Na-Gig Online, Vol 2-2, Winter 2017
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Dmitry Blizniuk is an author from Ukraine. His most recent poems have appeared The Pinch Journal, River Poets , Dream Catcher, Magma, Press53, Sheila Na Gig, Palm Beach Poetry Festival and many others. Dmitry Blizniuk is the author of "The Red Fоrest" (Fowlpox press, Canada 2018). He lives in Kharkov, Ukraine.

·•·
Who Owns these Trees? - Tom Pescatore
Cover art by Lauri Burke w/JKeough

Why I'm not Coyote
he walk with belly face the ground hitch in step slant smile tongue wag long shag hair eyes to grind see road roll
I've no story of Coyote man I got no place; no past. land had shackles before I crossed. only heart is here my own who knows from where I've come.
Coyote is not Buddha but friend to Buddha man maybe I am not Coyote sure maybe I am Buddha then if Buddha were American maybe he'd be me too but then like Coyote say he could also be you
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Who Owns These Trees?
I am not quite sure
who owns or manages these trees.
they are nice.
I am not quite sure
who manicures this forest
it was incorporated long ago.
I am not quite sure
who has planted these seeds
they are biologically engineered.
I am not quite sure
who to thank
for the fences that surround them.
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Tom Pescatore © 2019
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Tom Pescatore can sometimes be seen wandering along the Walt Whitman bridge or down the sidewalks of Philadelphia's old Skid Row. He might have left a poem or two behind to mark his trail. His first novel the Boxcar Bop is available now from RunAmok Press. He blogs at
A Magical Mistake.
·•·
June 2019

First Star - Infinite Chi
First star am I, crying dibs upon the night, surf surges with the moon seen full. Sol in decline, we celestials tune lapis tints to our own advantage, black, white, diamanté, we are evening’s formal tuxedo, our role to brake the overwhelming radiance of day, we don’t give a fig about how hard it is to maneuver with zip in the dark, the light we issue wags the tail of night, our matte dark painting shows arms and vanes of subtle bright, giddy radiance sent sparkling from suns eons away, quite alien to the present day. Oh! To be me! Tied to forces of infinite chi!
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Note: Poem written from words in a Scrabble game. How many points?
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Keeping Company with the Moon
Watercolor moon hesitates in sky, face streaked in cloudy purple brush stroke bands, though decorative, she can't make social plans, owns no boon companions I can see. I've learned she edges from us like shy child, mere inches only in each swooping year, I fear this faint reluctance to adhere, demonstrates a nature unreconciled. I'd like to coax moon home from firmament, invite her to roll lissome down my hall, but there Luna would scarcely be content, and then again, my house is much too small. Instead I'll go outside, put up my tent, peek through flap, keep company as she falls.
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From Tales from the Button Drawer: Harold the Button
Harold was a large ivory button, a singleton, who lived in a button drawer with his many friends. Most were small families plucked from worn out sweaters, party dresses and outgrown coats whose fabrics had gone on to make up quilts and socks stored upstairs in the tall closets and dressers of the second floor. Harold’s companions ranged in size from tiny mother of pearl creations to a set of great, curved horn buttons who once strained mightily to fasten a woolen coat of loden green.
Though the horn family liked to toot of days gone by, hunting in the deep woods with Grandpa Swenson, all such adventures were long in their past.
The pearl sisters, in turn, were always eager to talk about the high tea Grandma Swenson once put on for the elite of the neighborhood. They saw it all, in great detail, from their perch on her high-necked, ruffled dress. Even the shoe buttons were full of themselves, having covered a great deal of ground in their time.
Harold, sad to say, came from the button shop one hole short, he had only three when he should have had four for thread to enter and secure. Yet, being made of ivory, in those frugal times, he wasn’t thrown away, simply tossed into the button drawer, there to stay, and stay... and stay.
It was hard to have to listen for so many years to the adventures of others, and have none to share in return.
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Lauri Burke © 2019
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Lauri Burke grew up on the shores of Lake Michigan. She worked the better part of 40 years at the Barrington Public Library in Barrington, RI, where she had the great pleasure of continuing her education in the arts and humanities through her work designing and implementing cultural programming. Recently retired, Lauri looks forward to diving into the manifold joys of creativity with time to spare. Lauri is happily married to Jeff Burke, and is the proud mother of Flannery Burke. She has published poetry in a variety of little magazines, as well as three origami booklets ('Talking Back to Tales', 'Moving On: 5 Sonnets in Time' and 'Oh My Heads...') in the Origami Poems Project of RI. And visit Lauri Burke's Artist's page
here.
·•·
propped by the door the electric scooter he kept telling me I wanted * reading bad news cat on my shoulder fussing * lighting the incense to contemplate higher odors |
in the machine the clothes slosh labor-savingly * I have my mother’s hands my mother’s nose but bigger * she doesn’t look at me I don’t look at her bus stop bench •
Glenn Ingersoll © 2019
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Glenn Ingersoll works for the public library in Berkeley, California where he hosts Clearly Meant, a reading & interview series. He has two chapbooks, City Walks (broken boulder) and Fact (Avantacular). A multi-volume prose work, Thousand (MCTPub) is now available from Amazon.com; e-book at Smashwords. He keeps two blogs, LoveSettlement and Dare I Read. Recent work has appeared in bluepepper, concis, and brass bell. - Read more: http://dareiread.blogspot.com or http://lovesettlement.blogspot.com/
·•·
What She Kept in Her Wallet
It was folded in thirds, a yellowed fraying bit of newsprint from a local paper that noted births, deaths and fiftieth anniversaries. I recognized the names, a couple my mother mentioned at holidays or when reminiscing about school days in Nebraska or when she was teaching, an old maid back then, scarred from a car accident. She married late, had me, late, and regarded her own fiftieth anniversary as her greatest accomplishment.
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The Only Object I Pocketed Illegally
I probably intended to label each stone, pebble and shell I brought home, from the first time I stepped into the Mediterranean to shells from Hatteras, Naples Beach, Pacific Grove, and stones from ruins in Rome, Petra, Delphi, now tossed into bowls, nestled in jars, who knows where from. The pottery shard from Mexico is unique, cannot be confused for anything but what it is.
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Mary C. Rowin © 2019
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Mary C. Rowin's poetry has appeared in publications such as Panopoly, Stoneboat, Hummingbird, Solitary Plover and Burningword Literary Journal. Recent awards include poetry prizes from The Nebraska Writers Guild, and Journal from the Heartland. Mary’s poem “Centering,” published in the Winter 2018 issue of Blue Heron Review, was nominated for the Pushcart Press Anthology.
·•·
Cover collage by JanK

A Trip Back Home
We’re only 19 - 7 years older than we should be and 7 years younger than we have to be. We don’t draw faces on the river banks anymore but tonight seems like the kind of night where we should race each other to my favorite creek (yes, of course I have a favorite creek)
and reenact The Tale of Despereaux with some pebbles and mud. Let’s write an ode to the tadpoles afraid to grow into their slimy skin and ride our bikes to Steak ‘n Shake.
We’ll split a Steakburger and pop and when we’re as bubbly as lightning bugs finding love without swimming in a cheap pool of spilled beer,
you’ll look at me as if we could change the world with a well timed joke and I’ll show you the lakehouse on the moon I bought with credit when I was young enough to still see a mirror in screen doors.
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Don’t thank me for a perfect night just yet. Don’t kiss me goodbye and call me on your way home. Don’t tell me the night isn’t a cloud for us to lay on and don’t build the next morning from newspaper scraps, sweat stains, and an alarm clock that reminds us that spending money is just spending the time it took to earn that money.
Just close your eyes with your back turned to the setting sun. Sit with me in the middle of this green and gold cornfield and pray that our clock has a worse sense of direction than I do.
Hold me tighter and tighter as our shadows come to life in a rain puddle of crows, stand up and stretch.
That’s when we’ll know it’s another one of those quiet summer nights where we’re the only kids crazy enough to still slow dance in each other’s heartbeat.
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Austin Davis © 2019 - Previously published by Bone & Ink Press
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Austin Davis is a poet and student activist currently studying Creative Writing at ASU. Austin's writing has been widely published in dozens of literary journals and magazines including Pif Magazine, After the Pause, Philosophical Idiot, Soft Cartel, and Collective Unrest. Austin has also been featured in KJZZ’s “Word” podcast, and The East Valley Tribune. Austin’s first two books, “Cloudy Days, Still Nights” and “Second Civil War” were both published by Moran Press in 2018. Check out his website at
austindavispoetry
·•·
In Louisburgh, County Mayo, Thinking About Dublin
The smell of burning peat in this steady morning rain suggests a memory out of reach, something from years ago when I got the notion to drain my small savings account, head for Ireland, once final exams were read, grades in,
textbooks collected, counted, accounted for, our bosses satisfied that the City of Stamford had gotten its due. I was twenty-six, marriage in shreds, divorce papers drawn up— I was seeking a different self, a poetic self.
I stayed a week in Dublin, wandering the paths Joyce describes. Each day I distracted myself from the hole in my life, went to the Abbey, met an American actor, a minor figure on the Broadway stage who took me to an after-hours place
frequented by the Dublin theatre crowd— I could’ve sworn when we knocked and the actor whispered the password, the man who peeked out and opened the door was Milo O’Shea— The actor and I drank Jameson’s neat, sipped it slowly.
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In Boyle, County Roscommon, town of my great grandmother, I wandered the cemetery, searching for the Sheekey graves. The headstones from the days of the Great Hunger hid in the high grass. I rented a small red Ford, drove across Ireland,
slowing down, stopping often for the sheep, accepting waves from old farmers as I shifted into first gear, on to the next village stopping each night to find a room and perhaps supper— Supper identical to breakfast, eggs and rashers,
Brown bread and white, tomato, tea, lashings of butter— I ate too much and drank the Guinness, which fattened me up-- I outsized my waistbands. I was growing in my grief: Instead of wasting away. I came home a stone heavier, a bottle of Jameson’s in my duty-free bag.
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Lynne S. Viti 2019
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Lynne S. Viti, born and raised in Baltimore, is the author of two poetry chapbooks, Baltimore Girls (2017) and The Glamorganshire Bible (2018); and two micro-chapbooks, Punting and Dreaming Must Be Done In The Daytime (with a third collection arriving late spring 2019). Senior lecturer emerita, Wellesley College, she blogs at stillinschool.wordpress.com
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Example of a microchap PDF layout - Lansdcape setting!
All Original poetry published is considered for our annual Pushcart Prize recommendations
Origami Poems PUSHCART PRIZE NOMINATIONS
We nominated the following 6 poems for the 2018 Pushcart prize - Click title link to read...
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Welcome some of the poets new to the Origami Poems Project
(Peruse Pick a Poet page where poets are properly compiled alphabetically by first name.)
Summer 2018 thru Winter 2019
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Wendy, the poetic mini-schnauzer
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I am so grateful to Origami Poems Project as you were the first to publish a body of my poetry and that gave me so much confidence... Thank you again and again. Now I have some big news to share with you: my first full manuscript has been accepted for publication! It is entitled Found: Between the Trees and is being published by an indie-press called Grey Borders Books out of Ontario Canada. I received the letter on January 15th. I couldn't stop laughing and crying all at once. Here is the link: http://www.greybordersbooks.jigsy.com/tak-erzinger
TAK Erzinger 2/2019
I’ve been working on a set of poems, based the light scale—the words that go from light to dark. I’m sending a set of six to consider for an origami poem book. Although they might be too long? I thought of you, and your wonderful press/project, because I think they’d look nice together.
Julia Klatt Singer 2/15/2019
Oh, I am so happy about this! I have been working on a very long full-length collection lately and have not been doing small submissions very much...so it's really great to have this. I have gotten a kick out of handing out pre-folded chaps at readings or inserting them in each book I sell. People really seem to enjoy the concept and the poetry!
Lynne S. Viti 1/11/2019
Great news to start the New Year! I am delighted to be chosen again. I look forward to the publishing process in the near future.
Matthew Friday 1/10/2019
My copies arrived last week. Sorry for my delayed response. They are BEAUTIFUL! THANK YOU so much.
Christopher Soden 1/09/2019
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Good Afternoon Jan,
I’m over the moon to receive this acceptance. I oh so appreciate OPP’s mission and am honored to be included once again. ... I hope you enjoy the holidays. Thank you again for believing in my work.
Ariana D. den Bleyker 12/21/2018
I love, love, love your graphic on the front cover! Everything look good to me I thank you for the changes.
Many thanks for your passion for microchaps.
"Poetry belongs not to the writer but to the reader who needs it."
Carol Anderheggen, RI 12/08/2018
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Jan, thanks for all your work to promote my little book of poems. I am going to post a link to it on my Facebook page too and will let all my friends, family, and acquaintances know about it. Great job!
Gretchen Fletcher 11/28/2018
Your project is excellent and I am proud to be part of it and happy to support it.
Write On,
Norma Jenckes, RI, 10/15/2018
What beautiful gifts you make for poets. So many thanks.
Peggy Turnbull, 9/25/2018
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Thanks for all your hard work! I am proud of our little creation.
Phil Huffy, 8/04/2018
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I'm so excited! Thanks so much, Jan. I can't wait for the magic.
Gail Goepfert, New England, 7/10/2018
Thank you again for your confidence and support!
Daryl Muranaka, Massachusetts, 6/30/2018
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Thank you so much Jan. I am exited to be a part of your lovely project!
Ann Christine Tabaka, Delaware
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I love your philosophy and making of tiny books. I was also tickled to see one of my painting on the bar of books when I went to your website. Thank you for considering my work. And now I'm about to walk my dog, Otis. He'll be happy about that.
Julia Klatt Singer
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I’m delighted that you will be publishing “At Paisano Ranch.” Your microchaps are such wonderful ways to get poems out and
share them for free. I love the idea. And yes, I’m sure Buddha would have loved chaps!
Chip Dameron, Texas
Hi Jan (& team), I'm so pleased & excited that you're going to be publishing The Firefox Suite - it's made may day!
Oz Hardwick, Northern UK
Wow! This is gorgeous. I love the cover art, and can’t wait to let people know of our beautiful little book.
Thanks for publishing it.
Robert Okaji, Texas
Please thank Lauri Burke for the illustration which fits in nicely with the title.
Neil Leadbeater, England
Hi Origami! love what you do
Miriam Sagan, New Mexico
Dear editors, I truly enjoy reading the micro chaps you provide for free...
Ana Prundaru, Switzerland
Looks great. As usual, Ms. Burke's cover art matches the content beautifully.
Bob Carlton, Texas
I just happened upon your site when looking for an April is Poetry Month project for our teens in the library. I would love to be able to have a micro-chapbook display. I see that there are "self-stocked" libraries in Rhode Island but I know it is too late for me to request a sampling.
I would like to make sure that it is okay for us to use the PDF printables and hold a "pay it forward" in the library. So, our teens would fold the PDF's that we print off and pass them out to customers or leave them in the 800's poetry stacks for customers to take at will. Thank you for the fabulous site and inspiration!
Sincerely, Christy M., Information Services Specialist
Columbus Metropolitan Library, Whitehall, OH
(Editor's Note: We did send the library a sample of Origami books... and with great pleasure! - Jan Keough)
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Origami Poems Project, the sweetest little publishing endeavor we have, ‘changing the world one micro-chapbook at a time.’
ayaz daryl nielsen, Colorado
I'm really excited about this collection and having it be a part of Origami Poems!
Donald C. Welch III, Brooklyn, NY
Etcetera!
More "did you know?"
Previous Newsletters:
Alex Stolis, Diane Jackman, Felix Purat, F.I. Goldhaber, Jason Heroux, JD DeHart, Joseph Somoza, Lynne Viti, Maryalicia Post, Matthew James Friday, Melissa Huff & TAK Erzinger
Adrian S. Potter, Ariana D. Den Bleyker, ayaz daryl nielsen,Ben Heins, Carol Anderheggen, Christopher Stephen Soden, Helen Burke, Julia Klatt Singer, Kayla Bashe, Martin Willitts, Jr., M.J. Iuppa, Peter Roberts, Phil Huffy, Timothy Tarkelly
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Helen Burke Oct 30, 1953- Apr 20, 2019
We take this moment to tell you that Helen Burke, a much-lauded UK poet & artist, and great friend of ours,
passed away Saturday, April 20th at home. We greatly mourn her loss and send our sympathy to her steadfast & loving companion, Phil Pattinson.
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"A pot of Jasmine Tea lilts on a shelf by an open window."
Cover art and hand-drawn pencil illustrations by Peg Quinn of Santa Barbara, CA
with digital artwork by the artists Lauri Burke, Phil Pattinson, Helen Burke
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Read previous Newsletters (Sign up here) Next newsletter leaves the e-door November 2018
The Best of Kindness (contest) anthologies
2016
(41 poems selected from our 2016 contest entries) is available on Amazon.
Cover image by poet/artist, Lauri Burke, "Rainy Cherry Blossoms"
Alphabetical List of Poems & their Poets in this Anthology available here as a PDF
And some reactions to the anthology:
The Kindness Anthology arrived today!!! Gorgeous!I gave (a friend) a copy...
She is now reading one poem every morning and writing a little meditation essay on it.
MM, 6/8 RI
It doesn't get better than kindness - this anthology is a rich tapestry
of the many ways kindness can show up.
MR, 6/6 Amazon purchase review
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We've been asked, "How do I get an Origami Microchap?"
Every microchap can be downloaded as a single-page PDF and printed - for free. If you don't have a color printer simply choose the "print grayscale" option. Below are Screen Shots of what we mean.
The SINGLE PAGE PDF SCREEN SHOT of (Our) Printing Options
Microchap Display Locations
• Poets' group in Lincoln, NB |
• Wildflour Artisan Bakery & Cafe, Decatur, IL |
• Cafe 164 at Leeds Gallery & at Cafe in York, UK |
• Self-stocked libraries in RI |
♦ Due to the widening perimeter of the Origami Poems Project we are hard pressed to replenish the many locations that have previously visited the (primarily) RI locations. We are happy to send a sampling of chapbooks for a display but cannot "stock" them on an ongoing basis. We are grateful for your understanding. If you wish to volunteer to support a location, please ask... origamipoems(at)gmail(dot)com ♦
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