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Lois Marie Harrod

Lois Marie Harrod's latest collection Woman was published by Blue Lyra in February 2020. Her Nightmares of the Minor Poet appeared in June 2016 from Five Oaks; her chapbook And She Took the Heart appeared in January 2016; Fragments from the Biography of Nemesis (Cherry Grove Press) and the chapbook How Marlene Mae Longs for Truth (Dancing Girl Press) appeared in 2013. A Dodge poet, she is published in literary journals and online ezines from American Poetry Review to Zone 3. She teaches at the Evergreen Forum in Princeton and at The College of New Jersey.

Links to her online work www.loismarieharrod.org

 

 

 


Lois Marie's Origami microchaps, selected poems & audio versions are available below. Download the single-page PDF by clicking the title & saving to your pc. Set your printer for 'landscape' printing, Folding instructions are under the Who We Are menu tab.


Origami Microchap

Selected Poems

 
Karl's Rhubard    

Click title to download PDF microchap

Lois Marie Harrod CVR Karls Rhubarb 2020

Collage Rhubarb Sky by JanK

*

 Her Face  - First published in Shot Gun Journal:
Online Journal for Short Poems

Anatole’s Hold

He was holding me loosely
his arms were round
his arms round me
how I change everything
one leg, could you, love
could you love
a one-legged man?
One leg over your legs
one leg, two
oh, he had two legs too
keeping me warm
keeping my two legs warm
Anatole
though some sunrise
some Sundays I rise
imagining him carrying me
through the thrash
through the threshold
hopping on one leg
not two.

-

Karl's Rhubarb

Karl was a slob
but he planted rhubarb
and handed his stalks
over the back fence,
Here, cook this, he said,
low carb, and though
he was garbed in a stinky
himmelfarb t-shirt,
he was a heart-throb
among the old ladies
who longed for rhubarb
pie and rhubarb tea.
What I am saying is
there was something
about him that even I
loved, the jam I could make,
though I knew poison
in those spargelkraut leaves.
What I am saying is
that I kept my cats
from perturbing his dog,
I kept my sickles
from his sheaves.

-

Her Face

Her face had the texture
of a piece of brown paper
that someone had crumpled
and then tried to iron out,
all the crinkles
still
there—
especially when she smiled.

 

Lois Marie Harrod © 2020

Not Anatole

Not a gnat
Not a gnat at all
No toll, no tolling
We didn’t pay
to watch the sun rise
like the fires
in Australia
black and red
Conrad Richter
at Birkenau.
Not that morning.

Not Anna either
though gracious
bringing a cup of coffee
after the apocalypse.

-

What My Mother Told Me

Not much.
She wasn’t much of a talker.

Sometimes a tad.
Be quiet in church.

Mostly cautionary.
Chatter is the coin of fools.

She didn’t know
silence makes some uneasy

and refused gossip.
Be kind, she said

and I tried
to harness my tongue

but the pen proved, as pens do,
that writing is a sword

silent
and sneaky.

-

Grandmother's Oppossum

What was she
if not pretense?

Nice when she felt dour
Dour when she could not mend.

Her sex, the sour
lemon on her tongue

No, he did not want to hear
her woes or tend

her pleasure, she was
just the tight end

to the long game, the tag end
in the downtrend.

Keep your secrets to yourself,
Grandfather said,

You’re luckier than most
of your widow friends.

-

Nightmares of the Minor Poet

   
 Click title to download PDF microchap
Cover photo: beatnik girl
By fille de la ville
 
Audio recording by Lois Marie Harrod
 
'From Nightmares of the Minor Poet'
was previously published in Off the Coast
 

The Minor Poet

If the world had been his aviary,
he would have been the lesser bird,
unable to sing the high notes
or the low though he knew enough
of depression to spill himself
into that well which is the world.

And perhaps that was his purpose,
he thought, a beak that might bring
to the surface just enough water to sustain
someone, anyone, passing by,

not for eons or years, but an hour . . . less,
just until she trod a little farther on
and found a fresh stream, where she
could sit, maybe listen.
 
Lois Marie Harrod © 2014

 

The Minor Poet Tries Haiku

Stinkbug hibernating
in Manny’s suitcase–
been there since Tennessee.

Manny sips his morning chai,
too noisy, can’t write,
all the lattes chattering.

Tattered scarecrow
– left in the wild oats
never did more than watch.
Steamy bath,
– Manny plops in
ouch!

Cold rain falling
– and no umbrella
Manny takes yours.

 

The Blinding Walls

 
 
 
Cover - ‘Mykonos” (the web)


      

A Little Poem

is best. No one
has time or
inclination
for voyages
or treks. Long
wars take
a life or more
and the shortest
spat becomes
a drawn-out
divorce. We’ve
been here and there
fore and aft.
So avoid story.
Avoid conflict
and all its sticky dead.
Be slick.
Be quick.
A little poem is best.
 
Lois Marie Harrod © 2012
Acknowledgment: Hot Metal Press 2009


 

Splitting the Chair

Like dividing
– a baby
Solomon knew
which mother
by her distress.
But the chair was hideous
and the child,
not easy either.
So take it,
she says,
to the one
who is leaving.
You chose
the chameleon green.
Keep it,
he says,
believing
he is generous. 

 
Breadcrumbs

Breadcrumbs

So many substitutions in this story:
stepmother for mother, brother for father,
morsels of muffin for little white stones,

and once the oven was hot, witch for boy,
and in earlier locations, Gretel for pearl,
grill for teeth, take my thumbs for chicken bones,

grandma, take my babies for wolf meat.
I’d give you my incisors, my mother said
when I knocked out my own, carrion for crow,

cave for castle, ogre for goat who suddenly regrets
he didn’t eat the damn kid when he could have.
In some tales a few children get back home.

Lois Marie Harrod © 2012
Acknowledgment: Lunch Ticket

 

Truth sat in the Barber Chair

Truth sat in the barber chair
bald and cold
except for the fringe
the blind woman
tried to trim.
It’s often that way:
we pare the eyes
from the potato
and shuck the silk
from ears of corn.
But tidying up
– the relative
– even to set it free
reveals how naked
truth can be. 

 
Penelope Decides What to Wear to Her Funeral


Penelope Decides What to Wear to Her Funeral

Depends, she says, on when she dies:
in winter the blue silk
with its Mediterranean shifts,
in summer, white clouds,
the blinding walls of Mykonos.
Whatever the weather,
she will look good, better than life,
Botox can do that these days,
a new body before she’s shrunken under,
just in case her man returns from his wanderings
to stand at her casket, to say he loved
her once with the terseness of men
who drift, who suddenly remember
that once they promised to be faithful
as the flotsam that bore them home.

Lois Marie Harrod © 2012
Acknowledgment: Fickle Muses